Game 2 : Gateway to Apshai (1983) (**Finished)

Title :  Gateway to Apshai

Release Year : 1983

Publisher : Epyx

   Looking at my list of titles released in 1983, one series seems to stand out in terms of sheer quantity--the Dunjonquest series. According to MobyGames, 9 games appeared in the Dunjonquest series, excluding the Apshai trilogy release. Ironically, the Apshai games never really reached the notoriety of some other C64 RPG franchises, but nevertheless was a big financial success for publisher Epyx.

  Gateway to Apshai is actually the last game released in the series, but I didn't know that going in. I assumed with the title being "Gateway" to Apshai that this was the first game, a precursor to Temple of Apshai, but I was mistaken.

Title screen

  My biggest disappointment though was finding out that Gateway to Apshai has no true ending. I am glad I researched the game a little before playing it, because it saved me a lot of time of unnecessary grinding in an attempt to reach an ending that didn't exist.

  I figured a fair way to do this session would be to play for around 3 hours, see what the game has to offer, calculate up a score, and move on. If the game had an ending things would be different, but I figure I can see all the game has to offer within a 3 hour window.

Stat time

  Gateway to Apshai is a RPG technically, but focuses much more on action than other titles in the genre. The game uses the joystick as it's primary form of control, with the function keys on the C64 used to issue various commands. At it's core, it feels very much like an arcade game, with the only real goal to amass as many points as possible. I will get to that a little bit later, but for now let's get to the story.

  The main quest is told in the game manual, which describes our nameless hero being taken by force from his home, under the eyes of his screaming mother, and dropped outside of a cave. From here, we learn that our hero is....wait for it....part of an ancient prophecy!

  It seems that the lost Temple of Apshai is the key to solving all the problems in the lands, but only an heir to an ancient warrior's bloodline (who is now deceased) can enter the temple. Predictably, our avatar is that heir, and has now arrived at the Gateway to Apshai in hopes of finding the elusive temple.

The starting room

  My first step was starting up a new game. There is no character customization to speak of, but we are given a base set of stats including strength, agility, and luck. We are also given a health rating and "lives". Gateway has no save feature, so once your lives are gone the game is over. This gives the game a very distinct arcade feel, and dumbs down the game to what is essentially an action title. After being given some leather armor and a short sword we are off to the dungeon.

  This is where one of the oddest features of the game rears it's ugly head. Before starting, we are allowed to choose which dungeon to play in. There are a total of 16 dungeons with 8 levels in each one. In my 3 hours of playing I was able to reach level 8 easily. In the top right corner is a timer that goes downward from 99 to 0. Once at 0, you go to the next level...unless of course you choose to go to the next level on your own.

One big door.

  That's right, you can manually skip levels--so getting to the 8th level of any dungeon requires no skill at all. Yes, monsters are stronger the deeper you get and the items you can pick up are better, but what is the point? I can only kill so many spiders, rats and ghouls without purpose before I start getting annoyed that there really is no goal other than a high score.

  At the end of each level you are randomly given stat boosts or a health boost. I am not sure if your bonus is determined by how much you killed on the previous level, how much treasure you found, how long you survived the clock, or all three combined into some weird algorithm. Regardless, character development is completely out of your control, and is very restrictive.

  Many people have claimed Gateway to Apshai is a rogue-like, but that is not necessarily true. Gateway has pre-designed levels and set encounters, as well as hand placed treasure and items. Equipment is nice with shields, potions, armors and weapons to be found scattered throughout the dungeon, with the ability to equip, use and drop items.

  Combat is an arcade fare, as you can imagine, and is reduced to a button mashing affair. You can attack with a melee weapon, a ranged weapon or a spell scroll--all while taking advantage of the *horrid* monster AI. Yes, it's that bad. Pressing your button initiates the attack and, well, that's about it. The best tactic I found was to keep my distance and unload arrows at every opportunity.

A ghoul chasing me means one thing...I am about to die.

  It really is a shame that Gateway is such a shallow game. Graphically the game looks pretty good, and animations are top notch for a 1983 title. Overall, the game plays pretty smoothly and is programmed very well. It just strikes me way too much as an arcade game more than an RPG, so I think it is best to move on.

  I couldn't really live with myself if I didn't see all the game had to offer. I decided to start up my character and play down to level 8 and try to survive until the timer ran out on each level, exploring as much as I could. I died quite a bit, but before long I found surviving to not be too difficult.

  Published by Epyx, I couldn't find any information on the designers of the game other than "The Connelley Group". Apparently, Gateway is far more action oriented than the previous Apshai games, and I am much more anxious to try those games out now. There is a basis for a really good RPG here, but with no ending...I can't stick with this one.

Bugs. I hate bugs.

  Let's wrap this one up.

•   3.5 points for graphics and sounds. The game looks pretty good, and animates beautifully. Sound effects are pretty well done too, although there is no music to speak of.
•   1 point for character development. You cannot create your character and have no control of their growth. Although there are some stats, they are very basic at best.
•   1 point for combat and encounters. Combat is like an arcade game, and there is no creativity or consistency with the encounters. Monsters are very generic and have no special abilities--defeating them doesn't feel rewarding enough.
•   0.5 points for story and writing. There are no NPCs at all, no mention of the main quest once the game starts and no descriptions or text to add flavor to the gameworld. Worst of all..no ending.
•   0.5 points for the gameworld. There is no atmosphere, and the repetitive nature of the dungeons gets old quick. The ability to go to any dungeon level is a ridiculous idea, and there really is no depth or lore to the world.
•   3 points for items and equipment. There is a pretty good selection of items to obtain, and it's fun to use them in various ways to figure out their purpose. Items never drop on monsters though, and there are no shops or places to sell your goods.

  Overall, this gives Gateway to Apshai a total of 9.5, which is slightly higher than my previous played game Dunzhin. Admittedly, I am a little shocked by that one, as I felt Dunzhin was more enjoyable that Gateway, but the score stands. I couldn't fathom giving Gateway any bonus points for anything, so on we move.

  I am looking forward to my next title, The Citadel of Chaos, based on the Fighting Fantasy series of gamebooks by Steve Jackson. Thankfully, I know that game has an ending. I will probably jump into the game in the next couple of days.

  Total Session Time : 3 hours and 1 minute

  

Dunzhin - Finished!! (With rating)

  On my last posting for Dunzhin, I mentioned that I needed to consult the manual. I wanted to research several things, including some of the uses of my attributes and some of the other commands in the game.

  I was able to find a copy of the manual online, beautifully scanned, and was able to retrieve a lot of useful information.

A command sheet insert.

  The manual started with a simple introduction detailing our hero approaching the entrance to the dungeon, meeting an old beggar, then befriending him and learning some of the secrets to use within. There isn't much more story than that, we still do not really know why we are entering the dungeon--except for maybe the possibility of wealth--but it does serve a nice purpose in setting up the manual in a first-person narrative.

  Other juicy tidbits included an experience point chart, several new commands I had not discovered (bribe,force,wand,hide) and a list of monsters divided into groups of low-rank, middle-rank, and high-rank foes.

  I found that "movement" actually affected how many attacks I got in one combat round, attack value determines hit/miss ratio,while the fight value actually helps in determining how much experience you get from a combat encounter.

My nameless hero is perfecting his craft

  With my newly discovered information, it was time to load up my saved game and finish up mapping out level 3.

  It didn't take too long to discover the stairs and head down to level 4, which I was able to map out completely within about an hour.

 

Level 4

  You can see from the screenshot above how the level layouts work. I mentioned in my previous post about how each level consisted of rooms and corridors, and here you can see how each room is labelled alphabetically. Almost every room holds "treasure" but some of the rooms hold other interesting things. Some examples:

• An armor repair station. This was sorely needed and without it, I would have never finished my quest this session.
• A room of regeneration, which heals you.
• A forge where you can repair your weapon.

  I found all of these locations on the third and fourth dungeon levels, thanks to exploring everything in-depth, but by the time I reached level five I was ready to simply find my goal and finish up the game.

Destination confirmed

   It didn't take long to finally reach a room that held my prize--The Crying Scarab of Murak--which was guarded my 3 trolls. I saved my game before the battle and it took quite a bit of reloading before I finally was able to take all 3 of the creatures down.

I saw this screen a lot during the final battle.

  After the battle, I was given a message stating : "YOU DID IT!!".

  I thought that this was possibly the ending of the game, but it seemed very anti-climatic. I decided to backtrack to the entrance of the dungeon and exit the stairs on level 1. Once I did this, I got the actual ending for the game...which wasn't much better.

Epic ending unfolding before our eyes...

  Exiting gave me a black background with the following message: "CONGRATULATIONS!!! YOU HAVE OBTAINED THE ITEM!"

  From this point I was taken back to the main menu, where I could start another game. After winning I made a few notes:

• I finished the game at level 10, half of the maximum level of 20. Apparently, your character can be transferred to the sequel, Kaiv. You could in theory grind to level 20, but it would take a long, long time and I am not sure why anyone would be interested in doing so that has an ounce of sanity.
• You are never told what your weapon actually *is*. Your weapon breaks, but it is never revealed what class of weaponry you are actually using.
• There are no items at all. You have treasure, and that's it. I found no use for the treasure--there were no shops or places to spend what you had earned. Maybe this is something added into the sequel.
• It would take some of the most amazing luck to finish Dunzhin without the "save anywhere" feature. Thankfully, this was included--I couldn't imagine being a young kid in the 80's, grinding for hours only to lose all my progress to the game's unpredictable randomness.

Dunzhin magazine insert

  Dunzhin was released by ScreenPlay, and designed by Randall Don Masteller. I couldn't find any information on ScreenPlay at all, but it appears that Mr. Masteller went on to do some productive things in the industry. His credits include programming work on Pirates!, Airborne Ranger, and Barbarian...all very popular games in the Commodore 64 library.

  I found a great quote about Randall on MobyGames:

From James Hague:

Defunct game company Screenplay apparently had its share of insane programmers. I've heard stories about the co-author of Pogo Joe, W.F. Denman, and now the other half of that game, Steven Baumrucker, spills the beans about a third Screenplay programmer, Randall Don Masteller:

Randall was an interesting character. A true genius. He wrote a programming language in two weeks once...wrote it in machine code. W. Denman and I were visiting him in his house and we saw the disk. "What's this?" we asked. "Ahhh, that's some programming language I wrote to help with adventure games". It had a parser and all kinds of crud built into it. We were like "SHIT! Randall, people get PhD's for less than this!!!" It impacted him not in the slightest.

   So, lets get on to the final rating for Dunzhin:

• 2 points for graphics and sounds. The artwork is very simple, with crude sprites and bland dungeon graphics. There are some slight animations when your character is walking or in combat, but they are very limited. Sound is basic, with a few simple tunes playing at the game over screen and on the intro screen, but it is nothing to write home about.
• 1.5 points for character development. There is no creation or customization of your avatar, and gaining levels assigns automatic updates to your adventurer. While there are some interesting attributes, their function is often times cloudy and raising levels really doesn't affect your character in rewarding ways. My level 10 character didn't feel much more powerful than my level 1 rookie.
• 3 points for combat and encounters. There were some really good ideas here : hit locations, armor ratings for different body parts, hiding, bribing monsters, and unique monster attacks--but also a lot of frustrating things too like ridiculous hit/miss ratios, overabundance of random encounters, and the tedious parser system. This had the potential to be much better, but is still the strong point of the game.
• 1 point for story and writing. There simply is not much to see here. The manual gives us a nice little intro between our hero and a nameless beggar, but the story never develops much beyond that point. It would have nice to have known why were were in the dungeon, why we needed the item we obtained, or maybe a better ending telling us a little more.
• 1 point for gameworld. Nothing much is fleshed out here, and the randomness that accompanies each new game makes it hard to get any stability with the world. There isn't much in the way of lore or atmosphere, and other than an old hermit wandering the dungeon, we meet no NPCs.
• 0 points for items and equipment. Other than treasure, there are no items to gain. Although our weapon has durability and can break, it is more of a hassle than anything. By far the weakest aspect of the game.

  This gives Dunzhin a final score of 8.5. I couldn't find any reason to award any bonus points, so this is where my final score will stay. I know it seems ridiculously low, but keep in mind I plan on judging games pretty harshly. 

  Maybe things will improve when I get to the sequel, Kaiv, but overall Dunzhin serves as a very crude and basic CRPG in the early stages of the C64 life cycle. With my "master list" now updated, it is time to move on.

  Now, onward to Apshai.

Session Time : 3 hours 18 minutes